Saturday, October 20, 2007

A word about Nomenclature.

Names have power

They just do. Hell, Andrew Carnegie encapsulated this basic idea most pithily in the phrase, "The sweetest sound another person can hear is the sound of their own name." It's the same reason why we get so annoyed at people who mispronounce or deliberately say our name wrong. Our most basic nomenclature is fundamental to our identity.

This is something that i've understood intuitively for a long time. I don't think i have ever understood the mindset of people for whom the name of a character is an afterthought, and a barely considered one at that. I saw this a great deal more in D&D than in any white wolf game. I suppose that's a bit more understandable insofar as fantasy settings are by their very nature more Iconic. You're not playing "a fighter", you're playing "THE fighter". And as such, a cool sounding name doesn't seem as integral to the vibe of a character as it would in modern day setting. Then again, i could be overthinking this. It could have just been sheer mental laziness.

To me, the name of a character tends to make the VIBE of a character snap into place. It is part and parcel of the emotional response that i hope to get from the GM and the other players. and in fact, the naming of a character ought to tell you certain things about the character before you even meet him or her. "Toby Cordwainer" is going to be a different person from "Lennox Van Rensalear". You can just tell. Certain types of names just spur basic understanding.
Lennox Van Rensalear has the cachet of the favored son of an old money family. He's not going to be a gas station attendant. You aren't going to expect that from a person with a name like that.

You can create character bits out of persons relationship with their own name. Frex: I have a character in the Camarilla named "Pinky Berkowitz" Pinky is actually his pen name. and for the most part is the only name he truly answers to. He is not a fan of his given name, which is "Cornelius Erasmus Eldridge"
His parents were historians and had no idea of the ribbing he would take at the hands of his fellow classmates in school. Just calling him "Corny" is enough to royally piss him off.

I bring this up mainly because i find that too many times, short shrift has been given to the finding of a name for a character. I cannot count the number of "Alexanders" and "Sebastians" i've run into in Vampire games. It's almost as if vampires are going out of their way to embrace people with those names. I understand about wanting a character with a cool name or even having a character with the name YOU'VE always wanted, but c'mon. PORN Actresses put more thought into their "Nom de fuck" than some role players do.

Be a collector. Start by collecting interesting names and by connecting them to the people who's vibe they represent to you. If you meet someone named Marita, and you get to know Marita at least a little, then the name Marita (or any variation therof) is going to have a certain emotional weight for you. To a degree. this weight will also color the sorts of interaction that a character like that is likely to have. It's going to be rare for you to find someone name Pablo at an art gallery (unless he's the artist.) Names can suggest an entire lifestyle.

There are many places that you can find useful and interesting names. There's a website called the Onomastikon which purports to be a name dictionary.
I've found names in the phonebook and lately i have noted the most wildly original names i've seen lately in my Junk mail file.

Start paying attention to names and their commonality. You don't see too many Mabels or Ediths walking around anymore but i'll be damned if i don't know at least 8 jennifers.

Sono finito

Saturday, October 06, 2007

Killbox Etiquette

Killbox

This is a term used in the Camarilla to describe any sort of set piece battle sequence. Whether generated by the GM, or generated by players ganking one another. Often, it is a room set aside for the purpose of running combat that exceeds the normal bounds of a PC on PC fight. I.E. anything that may involve a dungeon crawl of some sort or that may involve Large numbers of players or NPC combatants.

Large scale fights in any sort of game can be thrilling and exciting. It's certainly an opportunity to discover how much of a bad-ass your character really is. It's also an opportunity to discover how far you've got to go before you are even in the neighborhood of bad-assery. These sorts of combats can also be dramatic. They can be the turning point of a majo storyline. They can be the point when all the feuds between characters finally boil over into violence.

Or they can be boring tedious affairs that leave players frustrated and pissed. This, sadly is what they often turn out to be. So, in order to ease the way and hopefully find a way to make this sort of thing work better... I have a few suggestions that might just help things out. Or at least i hope so.

1) Remember that mediation is an option
It's easy to forget in the sturm und drang of a potential combat in the offing, that you can mediate what the combat will turn out to be. All you need is the ability to get everyone on the same page about what they hope to accomplish. Let's say i'm playing a Vampire that is being set upon by a sherrif and his entire posse. If i'm thinking realistically, No matter how much of a bad-ass i really am, unless i get dumb lucky on draws, i can't take more than 3-4 other vampires at a time. Mechanically, it's just very unlikely. Unless i am able to flat out kill one vampire each turn, sheer weight of numbers will pull me down.
As a result, I have only two options really. Flee and try to fair escape or lose the fight in a way that can live with.
If i can mediate a solution with the players of the opposition where i am knocked into a short duration torpor, staked and dragged to the prince for a big dramatic show trial. or allow myself to be taken into custody, where i manage a daring escape... Then everybody is happy and nobody has to die.
On the other side of the equation is if i and my party of vampire bad-asses should go out into the wilderness and discover the entire werewolf nation waiting out there, then the decision to mediate should signal to the GM, "I am not ready to die tonight. May we attempt to parley or flee with lots of damage?" When you recieve such signals, pay some attention to them.

The numbers game:
The more people involved, the more likely statisticly that one or more of the following will happen.
1) There will be an unfortunate and perhaps incovenient frenzy on one or more sides of the conflict. This is the reason why you should keep combat parties small. If one vampire loses his shit, it can turn the tide of the whole side.
2) There will be enough crosstalk that it will drive the ST to distraction.
3) There will be at least one or more people involved in the fight who have no knowledge of combat, the system, or indeed why they've been dragged along in the first place.
4) There will be someone who gets fucked over. (See "3" above.)
5) There will be someone who gets their nose out of joint so badly that they invoke the 48 hour rule and a scene freeze goes into effect. The 48 hour for you non camarilla types is basically a temper cooling rule, and good one at that, but it can shut things down in a major way. especially if it invoked in a situation that is not a regular weekly game. Say at a game of the month, in a far off city or at a major con.
6) it is very likely that no matter how many people you bring along to gank someone, they will fair escape. Usually with the ST's blessing, because he's already sick of the combat. Smart players who have calculated the odds realize that often it's easier and cheaper to routinely flee these things rather than get swept up in the blood lust. and since most GM's brains overheat after about a half hour of fast and furious combat, they are often inclined to allow the escape and start drinking early. This can leave combat gumbies with a serious case of blueballs.


The Second String:
Some players have no business being in combat. Such players ought to be involved in the second string of the operation. (I.e Standing guard outside to prevent help from coming, or to prevent the target(s) from leaving the box. Maybe they ought to be sent round to burn down the haven or slaughter the targets ghouls and herd. Makes it harder for the target to recoup if he does escape. If you're planning to destroy someone, you might as well go all Michael Corleone on them.
In GM based killboxes, second stringers ought to be involved in vital and necessary operations, such as exfil support, medical support, tactical comms, lookouts and so on. There's nothing that states they can't take their fair share of abuse too from enemy forces, But I would consider it poor form to attack them with the main enemy force and leave the combat gumbies standing there with their dicks in the hands.

The odd's favor the house:
You want to keep to keep a cool head. I'm going to repeat that because it's damned important. YOU WANT TO KEEP A COOL HEAD. Players flipping out in the middle of a combat scene because of a real or perceived screwing merely ratchets up the tension level of the game and increases the odds that your going to piss off other players and/or the GM. When this happens, things are liable to get punitive real fast.
To this end, there are a few things you should keep in mind. In fact you might want to tattoo them on your soul:
1) You are the sole person responsible for how well you know and understand the rules.
2) You are the sole person responsible for how prepared you are in play. (Keep your sheet out and updated)
3) as i often say, the GM has more things to think about than you.
4) No matter how perfect or well rehearsed your plan is, draws can favor you or screw you to the wall. There are NEVER any garauntees and nobody OWES you a critical hit or an instant kill. No matter how well you've stacked the odds in your favor in a killbox, you can still DIE. Each time you dive into combat is a crapshoot. Act like it.
5) If you cannot keep your head cool in the face of the possibility that your character might be harmed, much less die, then maybe you need to seriously take a look at other hobbies.

Aftermath:
large Killboxes indicate a failure of kindred leadership and the aftermath of such event should be attended by princes handing out punishment like beads at motherfucking Mardi Gras. At least that's the way i'd spin it to the players of Princes. On the other hand, GM driven killboxes might be an opportunity for players to earn some status in kindred society, especially if they can handle the problem without shredding the masquerade to pieces. Pay attention to these things.

The Fog of War:
Subdivide the fight when you can. Hand off what you can to other narrators and make each group of combatants be ignorant of what is going on in other parts of the fight. This is not as hard as it sounds. Smoke, darkness, gunfire, distance, and a host of other factors can effectively segregate players from one another.
Make players use a full action to use Summon or Telepathy in the midst of a running guerrilla battle and then make sure that those messages don't get passed until the proper turn. Then make a player fair escape from one room and then spend a FULL turn to get to the next part of the fight. As a matter of fact, you might consider the possibility of disallowing combat communication altogether. Fights happen in a very short and hectic amount of time, most people tune out distractions when they are in the middle of a struggle for their existence. You might allow players in one section of the fight to go join another section of the fight once they've fair escaped or fought the enemy down and dropped out of rounds. But i'd still make them wait one turn before joining the next combat.
You could try coordinating the combats via walkie talkie, but i suspect it would create more trouble than solve problems. In any event, the combat involving the largest number is allways going to run slowest.

Get a room willya:
I realize that many people play Larp to get up and away from the table. But for Yog's sake, if you run a killbox, think very hard about whether it would better to throw down a battlemap on a big table and run the damn thing from a fast laptop. There are many reasons for this. There are people who simply should not be on their damn feet for any length of time. Those who are recuperating from illness, those who are preggers, those who wore the WRONG set of heels, Hell, my knees are for shit some night. People standing in one spot for hours at a time are going to have problems and those problems are going to be 3 times worse if you're doing the scene outdoors. Even if the weather is cooperating.
Take the killbox into a room, tabletop the fight, if it's large and complex. It's easier to keep notes at a table and read sheets indoors under actual light. Nobody want to freeze or get rained on, or swelter in their leather coat, or be subject to outdoor allergies, or miss part of the fight because it's too far away to be heard. Get real. Comfort level is a very real consideration.

Chatter:
In a killbox there are only two people who should be talking at any given time. The ST and the person he is talking to. This isn't even up for discussion. It's not up for arguement or debate. Each utterance of "Dude, nice kilt." or "Damn these fucking heels" or even "God, there's too much chatter. I can't hear what's going on" is distracting from the main business and slowing it down.
In addition, each and every person who takes it upon themselves to help by going "SHUT THE FUCK UP RIGHT NOW!" is merely adding to the noise polution and ratcheting up the tension level besides.
If you are in room situation, you might tell the people in the room that each time you catch someone cross talking, that they'll be bumped to dead last in the initiative queue. Repeat offenders will be asked to leave the fight entirely. If you want or need to crosstalk, go outside. If you miss your initiative then you miss your turn. If you want to volunteer information (Say on a rules call) then raise your hand like in school.
Hopefully that can keep the chatter down. There's nothing wrong with a little dramatic dialogue or with the OCCASIONAL joke that gets a laugh, but players need to be on notice that this thing is something that drives ST's batty.

Sono Finito.

Tuesday, October 02, 2007

Too long between words

I'm knocking the frost of my branches. It's been too long since i had something to say.

I've been larping and running a Mage: The Awakening larp in the cam.
I've just participated in a major game of the month in Cinci (And i took notes. I think i'll have something to say soonish.
I'm working a show and my day job seems to vacillate between utter deadness and trying to kill me
Been wtaching nifty things which i may talk about some too.

In the meantime, if you're a regular reader here, but you aren't a regular reader of the LJ, you can keep up with my doings over there via the link to your right.

Love and kisses. Hopefully i'll have time to write some more and soon.